Welcome to a book club just for those who love family history!Here we share our top picks for fiction and nonfiction from authors around the world. These books all have something for us to love: stories about the search for family and identity, stories about family relationships, stories about fascinating periods in history. These books inspire us to keep discovering and writing our own family stories. Follow our Book Club blog posts and hear from the authors on The Genealogy Gems Podcast. Join in the conversation on our Facebook page (#genealogybookclub). Looking for how-to books? Check out our companion list of how-to genealogy titles.
We thank you in advance for purchasing our book recommendations through the links on our site. When you do, you help support the FREE Genealogy Gems Book Club and podcast.
Featured author: British novelist Nathan Dylan Goodwin
Grappling with Legacy by Sylvia Brown. A descendant of the prominent Brown family, connected to Brown University, traces her family’s involvement in philanthropy, Rhode Island history and the institution of slavery hundreds of years. Her purpose, she writes, was to come to terms with “two seminal events which may seem diametrically opposed: my father’s decision to give his inheritance (and mine) to Brown University, and the transformation of the Brown family into the poster child for the evils of the slave trade.” She also hoped to bring her living Brown descendants closer to each other. A Kirkus review of this book calls it “an often riveting history of a family that left an indelible impact on the nation.” Lisa Louise Cooke interviews Sylvia in the upcoming Genealogy Gems Premium Podcast episode 155 (available to subscribers in late January 2018). Hear a short clip of that conversation in the free Genealogy Gems Podcast episode 213. Her story is included in a New York Times article on inherited wealth, “Keeping the Family Tree Alive.”
A Piece of the Worldby Christina Baker Kline.“You can never escape the bonds of family history, no matter how far you travel. And the skeleton of a house can carry in its bones the marrow of all that came before.” So says the Prologue to a new novel by best-selling novelist Christina Baker Kline, whose novel Orphan Train has been loved by millions around the world (and a lot of Genealogy Gems Book Club fans–we featured it in 2014). A Piece of the World is a unique and irresistible story about a woman whose physical disabilities and family’s demands keep her adventure-loving spirit firmly homebound. Granted, her home is a fascinating place: a 1700s-era home on the coast of Maine that has been passed down for several generations. But the noble legacy of the home instills a sense of obligation in those who live there now: do they stay on the family land at all costs, even the cost of their happiness and health? What happens when a family’s heritage becomes a burden, not a blessing?
Those who love American art will love that the main character, Christina, was inspired by the subject of the Andrew Wyeth painting, Christina’s World. (You can see an image of the painting here.) Christina was a real person who lived in this home. Andrew visited her and her brother and painted them many times. So the characters and setting are real, and the house is actually a National Historic Landmark now. Christina Baker Kline’s “fictional memoir” gives this historical Christina a powerful, honest, and insightful voice: the voice of a person who sees and tells it like it is–except the parts she just can’t see for herself.
It’s All Relative: Adventures Up and Down the World’s Family Tree by A.J. Jacobs. You could say A.J. Jacobs is famous for asking questions that seem both important and inane, and then pursuing the answers and writing about it. That’s what he did with his best-selling book The Year of Living Biblically, a chronicle of the time he tried to obey every rule in the Bible. Now he’s done it again in his new book. The questions A.J. set out to answer here were, “Who is really my family? And what would happen if I tried to host the world’s biggest family reunion?”
A.J.’s voice is witty with lots of digressions, pop culture references, and a definite urban beat (NYC, specifically). He meditates on what genealogical connections mean to him and the larger story the world’s family tree tells us. Like, we’re all related, and therefore shouldn’t we get along better? But with the quick disclaimer that he’s not inviting us all over for New Year’s brunch. He did that already at the Global Family Reunion–which he reports on in detail.In the appendix, he recommends all kinds of genealogy how-to resources, including Genealogy Gems. If you yourself are somewhat relaxed and perhaps even a little irreverent about your genealogy hobby, you’ll likely really enjoy this book. What about the more earnest family historians? It’s still worth a glimpse into how others see us. A.J. comes peeking into the world of genealogy ready to crack jokes. And he does plenty of that. But he also comes away with a great deal of respect for the stories and relationships that can–and should, he says–bring us closer together.
Shannon by Frank Delaney is a stunning tale: Father Shannon, an American Catholic priest of Irish descent, has serious “shell-shock” trauma after serving in the trenches of World War I. His archbishop sends him on a respite trip to Ireland to travel up the Shannon River looking for his family roots. He lands in the middle of an Irish Civil War—but also encounters person after person who helps him rediscover his faith in humanity and the restorative balm of daily life. Meanwhile, intrigue is afoot within his home archdiocese. A killer, who has his own traumatic backstory in Ireland, is dispatched to make sure Father Shannon never returns home. Their stories converge in a place of love, but also far too close to a place of pain. And that’s all I’m going to tell you about it.
I only recently discovered Frank Delaney’s books and can’t recommend them more enthusiastically! Frank Delaney is a MASTER storyteller. He crafts every sentence, every image. You can practically see the story lines unfold, hear every action, smell it. I listened to the audiobook version, which the author narrates himself with great skill. As I listened, I gasped, I cried, I laughed–all out loud in the car. So read or listen–and then clear a spot on your reading list for his epic novel, Ireland, which I read immediately after this one and also loved.
Murder in Matera: A true story of passion, family, and forgiveness in Southern Italyby Helene Stapinski. The subtitle to this family history murder mystery promises a LOT–and it delivers! As a child, Helene Stapinski heard about her great-great-grandmother who fled Italy–with young children in tow–after being involved in a murder. Parts of the story were vague: who was killed? Why? When? How? Nobody knew. But other details were startlingly precise and consistent. She had to leave her husband behind. A man named Grieco helped her escape. A child was lost on the way to America. Years later, Helene embarked on a 10-year quest to learn the truth behind this family legend. Her journey took her to Matera, Italy, and eventually to a 600-page criminal court file from 1872.
There was a murder. But it wasn’t exactly as the family had said. Helene gradually leaned that her family was not who she thought they were. And that meant Helene herself was not who she thought she was. The rest, you can read for yourself in Helene’s new memoir, Murder in Matera: A True Story of Passion, Family, and Forgiveness in Southern Italy. The noted journalist continues to unravel a past that she explored in her fantastic first family history memoir, Five-Finger Discount: A Crooked Family History. This new book is part history, part re-imagined family story. It’s a story of poverty and power, love, tragic decisions, and a courageous and desperate woman’s leap to a new life across the ocean.
Watch below as Helene introduces us to her genealogical journey:
InThe Whole Town’s Talkingby internationally best-selling novelist Fannie Flagg, you’ll read about several generations of a small Midwestern town settled by Swedish immigrants–and its cemetery, gradually populated by the town’s residents as they die. The dead continue to take a healthy interest in their descendants and comment on their lives. Fannie Flagg first thrilled us with her storytelling power in Fried Green Tomatoes at the Whistle Stop Cafe. We also highly recommend The All-Girl Filling Station’s Last Reunion, in which a lively, lovable leading Southern lady searches for her biological roots and uncovers a fascinating story about the World War II female pilots, the WASPs. Genealogy Gems Premium website members can hear our conversation with Fannie Flagg in the Genealogy Gems Premium Podcast, episode #148. Everyone else can catch an excerpt in the free Genealogy Gems Podcast, episode #204.
The Truth According to Us by Annie Barrows. It’s the summer of 1938, and wealthy young socialite Miss Layla Beck is now on the dole as a WPA worker, assigned to write a history of the small town of Macedonia, West Virginia. As she starts asking questions about the town’s past, she is drawn into the secrets of the family she’s staying with—and to a certain handsome member of that family. She and two of those family members take turns narrating the story from different points of view, exploring the theme that historical truth, like beauty, is often in the eye of the beholder. Genealogy Gems Premium website members can hear our conversation with Annie Barrows in the March 2017 Genealogy Gems Premium Podcast (episode #145). Everyone else can catch an excerpt in the free Genealogy Gems Podcast episode #201. Annie Barrows is the co-author of the popular novel,The Guernsey Literary and Potato Peel Pie Society and the beloved children’s book series Ivy and Bean.
Books by Sarah A. Chrisman. This fascinating author is a living icon of the Victorian age. She and her husband Gabriel live like it’s about 1889. They wear Victorian-style clothing and use a wood-burning stove and antique ice box. Sarah wears a corset day and night; Gabriel wears 19th century glasses. No TV, no cell phones—and Sarah isn’t even a licensed driver. Take your pick of Sarah’s books to read! Catch Lisa’s conversation with Sarah about her memoirs in the Genealogy Gems Premium Podcast episode # 142. Holiday bonus: everyone can hear Lisa Louise Cooke’s conversation with her about Victorian holidays in the free Genealogy Gems Podcast episode #198.
First Wheel in Town and Love Will Find A Wheel: These are Victorian Cycling Club Romances, from Sarah’s series of light-hearted historical fiction set in an era Sarah knows well!
Everyone Brave is Forgiven by British novelist Chris Cleave begins in London in 1939. War is declared. Wealthy young Mary North “leaves finishing school unfinished” and signs on for the war effort without telling her parents. What ensues is war beyond her naive imagination. A love triangle, a long-distance romance, the London Blitz and the bombardment of Malta. It’s intense, eye-opening and compassionate about living and loving in a war zone and its aftermath. The book is inspired by love letters exchanged between the author’s grandparents during World War II. Author Chris Cleave joined us on the Genealogy Gems Premium Podcast episode 139; catch an audio excerpt in the free Genealogy Gems Podcast episode 195 and a short video narrative here).
The Summer Before the War by Helen Simonson. Beatrice Nash has grown up traveling the world with her father. Now he’s gone, and she’s in East Sussex, England, fighting to keep her new job as a Latin teacher, meeting the locals (both gentry and gypsy) and trying not to fall for handsome Hugh. Then the Great War breaks out, and Beatrice joins the village in the war effort, hosting refugees and sending the men off to fight (including Hugh). This novel follows Helen’s NYT-bestselling debut novel, Major Pettigrew’s Last Stand. Genealogy Gems Premium website members can hear our exclusive interview in Genealogy Gems Premium Podcast episode 136; others can catch an excerpt in the free Genealogy Gems Podcast episode 192.
Orchard House: How a Neglected Garden Taught One Family to Grow by Tara Austin Weaver, author of the internationally-acclaimed blog Tea & Cookies. This memoir is one part food, one part gardening and two parts family drama, liberally seasoned with humor and introspection. Tara’s mother moves to Seattle to be near her. Together they purchase a home with a wild garden. The challenge of reinvigorating the garden is nothing compared to the challenge of renewing their troubled relationship. It’s an honest (and mouthwatering) story of planting, cultivating and harvesting the fruits of family and garden. Genealogy Gems Premium website members can access the full interview in Genealogy Gems Premium podcast episode 133. (Click here to hear a free excerpt.)
Citizens Creek, a new novel by New York Times best-selling author Lalita Tademy. Some of you have probably read her previous novels, Cane River and the sequel Red River. Cane River was an Oprah Book Club selection. Citizens Creekis a novel based on the lives of “a once-enslaved man who buys his freedom after serving as a translator during the American Indian Wars, and his granddaughter, who sustains his legacy of courage.” This book is all about family, relationships and legacy. Click here to hear a clip from our interview with Lalita; Genealogy Gems Premium website members can click here to listen to the entire exclusive conversation.
Pioneer Girl: The Annotated Autobiography of Laura Ingalls Wilder, edited by Pamela Smith Hill, is the “grown-up” version of the Little House children’s books. This never-before-published autobiography Laura wrote in the 1930s is packedwith detailed recollections of pioneering in an American West that was fading away. Her stories will intrigue–and sometimes stun–any Laura Ingalls Wilder fan. Tons of background research is impeccably cited in source notes. Hear our exclusive interview with Pamela Smith Hill in Genealogy Gems Premium Podcast episode 127 (Premium membership required to access) or hear an excerpt in the free Genealogy Gems Podcast episode 183.
The Ghost Army of World War IIby Rick Beyer. This book–the basis for a PBS documentary–tells the story of a handpicked group of young GIs who landed in France to conduct a secret mission in 1944. These 1100 men had one goal: to fool the German army into believing they were an American army thousands strong, and draw their attention away from the actual fighting troops. Hear the interview with the author and filmmaker in the free Genealogy Gems podcast episode 182.
Orphan Trainby Christina Baker Klinespent five weeks at the #1 spot on the New York Times Bestselling list and made the top of The Bestsellers List in Canada. The novel intertwines the stories of Vivian and Molly. Vivian is an Irish girl who lost her family in New York City and was forced to ride the ‘orphan train’ to find a new home. Decades later, the aged Vivian meets a teenager, Molly, who is struggling to find identity and happiness in the modern foster care system. Click here to catch highlights of our interview with Chistina Baker Kline on the Genealogy Gems podcast. Genealogy Gems Premium members can click here to listen to the full-length interview.
Update: Christina Baker Kline has released a young reader’s version of Orphan Train.Orphan Train Girltells the story of a young foster girl who forms an unlikely bond with a ninety-one-year-old woman, who had been an “orphan train” rider as a young girl. Adapted and condensed for a young audience, it includes an author’s note and archival photos from the orphan train era. It’s written for ages 8-12, or grades 3-7.
She Left Me the Gun: My Mother’s Life Before Meby Emma Brockes. An award-winning journalist tells the story of her discovery of her mother’s tragic childhood in South Africa. This is a genealogical journey, complete with trips to archives, poring over old court cases and dramatic reveals. But it’s so much more than that! It’s also about learning the past from living relatives. This is the ultimate how-to book for exploring and sharing sensitive family stories because she shows you how it’s done. Listen a meaty excerpt of our interview with Emma Brockes on the Genealogy Gems podcast episode 174 and the full-length interview in Premium episode 118.
Annie’s Ghosts: A Journey into a Family Secret by Steve Luxenberg. One of Lisa’s all-time favorite interviews was with Steve about this book. Based on listener feedback, this was an audience favorite, too! “I can’t tell you how much I enjoyed reading Annie’s Ghosts,” says Lisa. “This book inspired me, gave me concrete ideas for pursuing my own family history research, AND kept me on the edge of my chair. What could be better? Steve is such a riveting writer and speaker, and it’s fascinating to hear how someone who is not a genealogist–but rather a journalist–approached his family history search in an effort to find the answers to mysteries in his families.” Listen to the interviews in Genealogy Gems podcast episodes 120 and 121. This book and interview planted the seed for this genealogy book club!
The Journey Takers by Leslie Albrecht Huber. Here’s another book Lisa profiled on the podcast awhile back. Leslie is a professional genealogist who spent thousands of hours researching the stories she tells about ancestors who left homes in Germany, England and Sweden for new lives in the United States. She writes about their experiences but also her feelings about it, in a book about both a family’s history and the effect it has on the present. Check out Lisa’s interview with Leslie in Genealogy Gems Podcast episode 98.
The Story We Carry in Our Bones: Irish History for Americans by Julienne Osborne-McKnight. Recommended by a Gems fan. Begins in deep history with the Celts and Vikings, explains events that led up to the great potato famines and follows the Irish exodus to the U.S., where she then explores Irish-American life.
Finding Samuel Lowe: China, Jamaica, Harlem, a memoir by Paula Williams Madison about the author’s journey into her family history, which resulted in a documentary by the same name. “Spanning four generations and moving between New York, Jamaica, and China, [this] is a universal story of one woman’s search for her maternal grandfather and the key to her self-identity.” Suggested by a Gems fan.
The Forgotten Garden, a novel by Kate Morton. Recommended by a Gems fan. The premise was apparently inspired by Kate’s own family history: “A tiny girl is abandoned on a ship headed for Australia in 1913. She arrives completely alone with nothing but a small suitcase containing a few clothes and a single book—a beautiful volume of fairy tales. She is taken in by the dockmaster and his wife and raised as their own. On her twenty-first birthday, they tell her the truth, and with her sense of self shattered and very little to go on, ‘Nell’ sets out to trace her real identity.”
The Last Midwife: A Novel by Sandra Dallas. Recommended by a Gems fan. The story of the only midwife in a small Colorado mining town on the Rocky Mountain frontier. A baby is found dead and Gracy is accused as murderer. She’s kept lots of people’s dark secrets over the years–and a few of her–and as the trial looms, she has to decide which of those secrets to give up in order to clear her name.
These is my Words: The Diary of Sarah Agnes Prine, Sarah’s Quilt and The Star Garden by Nancy Turner. This series of novels is based on the life of Sarah Agnes Prine, a relative of the author who lived on the Arizona frontier. The frontier isn’t so violent anymore, but Sarah’s struggles with men, raising children, drought and natural disasters (the San Francisco earthquake shows up in the second book) are still relevant today. Sarah’s tough-and-tender voice is so perfect for recounting the life she lives.
The Homesman: A Novelby Glendon Swarthout. The most startling book I’ve read in recent years. I’m not going to tell you every reason it was so startling or it will give away the plot. I will say that this is a sweaty and intense and gritty and face-paced story. You get the dark side of braving the frontier. A more mature read.
Angle of Reposeby Wallace Stegner, another novel of a couple’s lives on the frontier. Because it’s such a powerful treatise on marriage, it made me wonder: when you are a couple with no modern distractions and survival depends on your cooperation, does the relationship really does become as wide and consuming as that wide horizon?
Family by Ian Frazier. In this tale of a genealogical journey, the best-selling author explores his small-town, middle-class roots in the U.S. He explains a purpose that arose from loss: “I wanted my parents’ lives to have meant something. I hunted all over for meanings of any kind–not, I think, simply out of grief of anger at their deaths, but also because the stuff they saved implied that there must have been a reason for saving it….I believed bigger meanings hid behind little ones, that maybe I could follow them to a source back tens or hundreds of years ago. I didn’t care if the meanings were far-flung or vague or even trivial. I wanted to pursue them. I hoped maybe I would find a meaning that would defeat death.”
Five-Finger Discount: A Crooked Family Historyby Helene Stapinski. An unforgettable personal narrative! The author tells her family history within the criminal and blighted culture of Jersey City, New Jersey, U.S.A. She interweaves the stories of more infamous personalities from her hometown with those of her grandfather and other relatives. She seamlessly weaves her own memories with her research and shares how she has come to terms (or not) with her “crooked family history.”
The Marriage Certificate by Stephen Molyneux. This novel opens with a scenario we sympathize understand: Peter, a genealogy buff, buys a marriage certificate he sees on display at an antiques gallery. He begins researching the couple with an idea of returning the certificate to them. Eventually he uncovers several secrets, one with some money attached to it, but others are also chasing this money. Surprise twists bring the story into the present day and Peter becomes a genealogical research hero.
Mordecai: An Early American Familyby Emily Bingham. A beautifully-written history of several generations of a Jewish family in the United States. Draws on an astounding 10,000 original documents and letters. It’s a fascinating story on faith, religious and culture identity and assimilation, family dynamics and intergenerational identity. Also an inspiring read for anyone wishing to write a strictly factual, third-person account of their family history.
My Prairie Cookbook: Memories and Frontier Food from My Little House to Yoursby Melissa Gilbert.“Little House on the Prairie” is coming back to life in the form of a cookbook by the actress who played young Laura Ingalls in the NBC television series (1974-1983). Melissa dishes up prairie breakfasts, picnic lunches and treats inspired by Nellie’s restaurant (from the Little House series). The book is garnished with memories and memorabilia from the television show. Click here to read a full post about the cookbook and Lisa’s “Little House” family history tour on Google Earth.
Nick Herald Genealogical Mystery series: Deadly Pedigree, Jackpot Blood and Lineage and Lies by Jimmy Fox. Recommended by a Gems fan. The hero is an American genealogist who lives and works in New Orleans, one of the most colorful and historical parts of the U.S. Give it a try and let us know what you think!
Out of the Shoebox: An Autobiographical Mystery by Yaron Reshef. In this memoir, Yaron gets a phone call about property his father purchased in Israel years ago. He and his sister can inherit it, but only if they can prove that man was their father. He goes on an international paper chase into the era of World War II, the Holocaust and the making of Israel. A forgotten bank account surfaces and more surprises happen during Yaron’s two-year quest to understand the tragedies of his family’s past and recover some of its treasures.
Three Slovak Women, Second Edition by Lisa Alzo. You may know Lisa as a popular speaker on Eastern European genealogy at national conferences. This is her nonfiction account of three generations of Slovak women in the steel-producing town of Duquesne, Pennsylvania, and the love and sense of family binding them together. It will inspire your own family history writing projects! Click here to hear Lisa in the free Family History Made Easy podcast talk about her reasons for researching her family history and what she’s learned along the way, including in her travels in Eastern Europe.
When the Cypress Whispers: A Novel by Yvette Manessis Corporon. We haven’t read this novel by Greek-American family historian and Emmy award-winner; we just noticed it in the news. It’s based on true stories gathered from her grandmother. Read here about the true decades-old secret she uncovered and helped share with descendants of another family who survived the Holocaust on the island.
document and re-imagine the life of her ancestor, Mary Pitt, a widow who migrated to New South Wales in 1801 with five children. It’s a less-formal way of writing family history that we recommended in a podcast episode talking about different styles of writing.
Looking for how-to genealogy books? Check out our companion list of great titles on how to research! We’ve featured many of the authors on the podcast or in blog posts, and we include links to these.
New genealogical records continue to pour on line. This week we’re highlighting the latest from FamilySearch and MyHeritage. We’re crossing our fingers that the records you’ve been waiting for are among them. Happy searching!
FamilySearch New Records
SALT LAKE CITY, UT—FamilySearch.org added over 8 million new, free,historical records from WWII Draft Registration Cards(1940-1947) and Lincolnshire, England, Parish Registers (1538-1990). The military records are from California, Kansas, Montana, Oregon and Texas. More indexed records were added from Australia, Finland, France, Netherlands, Peru, Poland, Sweden, and the United States.
Historical Books – Index of Authors and People Mentioned, 1811–2003
Description: An index of persons mentioned in various English-language public domain books as well as the names of authors of these publications. This collection of 494 million records is an index of persons mentioned in various English-language public domain books as well as the names of authors of these publications. The number of digitized books is over 3 million. The following searchable information can be found in most records in the index: the title and the year of publication, name of the author(s), birth and death year of the author(s), the names of all the individuals mentioned in the publication, the publisher, and the subject(s) of the publication.
Number of Records: 494,096,291 records in 3,024,213 books
Authors of Scholarly Articles
Description: Names of authors of millions of scholarly articles. This collection of 272 million records includes the names of authors of millions of scholarly articles. Authors’ names are collected from over 50,000 journals and open-access repositories from all over the world. Records typically include the given name and surname of authors and co-authors, the article’s title and date, the name of the journal, and the name of its publisher. For some of the articles, a link is provided to view the article online.
Number of Records: 272,046,994 records
VITAL RECORDS
Texas Marriages and Divorces
Description: An index of marriage license applications from all counties in the state of Texas for the years 1966 to 2016. This collection was updated and now contains 26 million records.
Number of Records: 26,591,435 records
France, Military Death Index, 1914–1961
Description: An index of death records of individuals who died fighting in the French armed forces, members of foreign armed forces who died fighting in France, and civilians who were killed in France.
This free collection of 5 million records is an index of death records of individuals who died fighting in the French armed forces, members of foreign armed forces who died fighting in France, and civilians who were killed in France. The majority of the records pertain to the First World War, although there are also records from the Second World War, the Franco-Prussian War, and various other conflicts that occurred in France or that involved the French armed forces. Records may contain the following searchable information: first and last name of the individual, date and place of birth, date and place of death, burial place, and the first and last names of the individual’s parents and spouse.
The following information may also be found in most records: rank and regiment, company, conflict, military decorations, additional notes on locations, and the individual’s family situation.
Number of Records: 5,332,260 records
Germany, Hesse Marriage Index, 1849–1931
Description: An index of marriage records from several communities that are within the state of Hesse in Germany.
This collection of 4.77 million records includes marriage records from several communities within the state of Hesse in Germany. Marriages were usually recorded in the bride’s place of residence. When the information is available a record will include the groom’s given name and surname, age or birthdate, birthplace, residence, occupation, marriage date, and information about the groom’s parents. A record will also include the bride’s given name and surname or maiden name, age or birthdate, birthplace, residence, occupation, and information about the bride’s parents.
Starting in 1874, the state mandated that new local civil registry offices be responsible for creating civil registers of birth, marriage, and death records in the former Prussian provinces, among them many communities in Hesse.
Number of Records: 4,770,560 records
Germany, Hesse Birth Index, 1874–1911
Description: An index of birth records from several communities that are within the state of Hesse in Germany.
This collection of 3.78 million records includes birth records from several communities within the state of Hesse in Germany. When the information is available a record will include the child’s given name, the date of a birth, and sex. Information about the mother includes given name, maiden name, last name, address, and spouse. Information is also provided about the informant. An informant was often the father of the child or a midwife.
Number of Records: 3,784,938 records
NEWSPAPERS
This is the next installment in our U.S. newspaper collections. We have added 14.6 million pages from nine states: Florida, Wisconsin, Kansas, Texas, Montana, Minnesota, Illinois, and Tennessee. The newspapers in this update range in date from the late 19th/early 20th century to 2009.
Newspapers are an important resource for genealogy and family history research as they contain obituaries and other vital record substitutes such as birth, marriage, and death notices. Additionally, society pages and stories of local interest contain rich information on activities and events in the community and often provide details about the persons involved.
Before vital records were recorded by city, county, or state governments, local newspapers often published articles listing or detailing these events. Obituaries contain vital and biographical information on the deceased as well as his or her family and relatives.
Society pages began as a way to entice readers with gossip and news about the wealthy and famous but soon evolved to cover the goings-on of “average” citizens. An incredible array of information can be discovered in these society pages or sections from seemingly mundane notices and reports on events such as parties, job changes, hospital stays, and social visits by friends or relatives. These pages are a source of historical events that are unlikely to exist in any other record.
Coverage and completeness in this collection varies by title.
Florida Newspapers
Description: This collection is a compendium of over 8 million newspaper pages from 25 newspaper titles published in various cities and towns in the state of Florida. Time frame: 1901 to 2009. Number of Records: 8,084,846 pages in 25 newspaper titles
Illinois Newspapers
Description: This collection is a compendium of newspapers published in various cities and towns in the state of Illinois. Time frame: 1840 until 2009. Number of Records: 83,452 pages in 14 newspaper titles
Kansas Newspapers
Description: This collection of 1.4 million newspaper pages is a compendium of newspapers published in various cities and towns in the state of Kansas. Time frame: 1869 to 2009. Number of Records: 1,473,037 pages in 39 newspaper titles
Minnesota Newspapers
Description: This collection is a compendium of newspapers published in various cities and towns in the state of Minnesota. Time frame: 1902 until 2009. Number of Records: 92,171 pages in 26 newspaper titles
Montana Newspapers
Description: This collection is a compendium of newspapers published in various cities and towns in the state of Montana. Time frame: 1890 until 2009. Number of Records: 155,210 pages in 94 newspaper titles
Oklahoma Newspapers
Description: This collection is a compendium of newspapers published in various cities and towns in the state of Oklahoma. Time frame: 1927 to 2009. Number of Records: 521,793 pages in 14 newspaper titles
Tennessee Newspapers
Description: This collection is a compendium of newspapers published in various cities and towns in the state of Tennessee. Time frame: 1870 until 2009. Number of Records: 66,994 pages in 8 newspaper titles
Texas Newspapers
Description: This collection of 1.2 million records is a compendium of newspapers published in various cities and towns in the state of Texas. Time frame: 1848 to 2009. Number of Records: 1,254,230 pages in 33 newspaper titles
Wisconsin Newspapers
Description: This collection of 2.8 million newspaper pages is a compendium of newspapers published in various cities and towns in the state of Wisconsin. Time frame: 1884 to 2009. Number of Records: 2,887,946 pages in 3 newspaper titles
Searching all of these collections in MyHeritage SuperSearch™ is free, but a Data or Complete subscription is required to view the full records, save them to your family tree, and fully access Record Matches. Our Record Matching technology will automatically find relevant historical records revealing new information about any ancestors who appear in these records.
VIDEO & SHOW NOTES: Video #3 of our 25 Websites for Genealogy Playlist. In this video, my guest presenter Gena Philibert-Ortega covers digitzed newspaper websites that are must-haves for family history research. Even though some sound specific to a certain area, don’t be fooled. They have resources available for all genealogists including even more than newspapers.
Websites 13 through 17 of our 25 Websites for Genealogy
Some of these websites will be new to you, and others are going to be very familiar to you. In talking about the familiar websites, I want to get you thinking about them differently, explain a little bit more about what you can do at these websites, and how to get the most out of them.
In this series of 25 Websites for Genealogy, we’re going to be looking at websites in different categories. Our third category is the newspaper websites (#13 through 17).
Newspapers.com is a subscription service owned by Ancestry.com. The two websites are connected so that you can attach your Newspapers.com finds to your Ancestry tree. Newspapers.com includes newspapers found at Ancestry but all newly newspaper pages are added to Newspapers.com. They also offer a Publisher’s Extra subscription that expands your access to additional newspaper records.
GenealogyBank.com is a subscription service offering one of the largest collections of digitized U.S. newspapers, dating back to 1690. You’ll also find additional genealogy resources such as the Social Security Death Index, obituaries, government publications, and historical books.
The Library of Congress offers this huge free collection of digitized newspapers from across the United States. The papers range from 1756 to 1963. Expand your search with the U.S. Newspaper Directory 1690 to present.
Fultonhistory.com features over 1,000 New York newspapers, plus newspapers from other states and Canada. It’s a vast free collection curated by one man!
Making your family history accessible to your visually or hearing impaired relatives may require a little extra work. But the effort can mean making your genealogy discoveries more available and vivid for EVERYONE–now and in the future. Let these ideas help you!...
Here at Genealogy Gems we believe that genealogy is FUN, and finding great sources of information is part of that fun. But citing those sources may not be so much! My guest in Elevenses with Lisa episode 60 is going to make the case why source citation is a vital part of great genealogy research and she’s going to give us the resources to help get the job done right.
Elevenses with Lisa episode 60
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Download the Elevenses with Lisa Genealogy Source Citation Cheat Sheet
Lisa: Genealogy is FUN, and finding great sources of information is part of that fun. But citing those sources may not be so much! My guest in Elevenses with Lisa episode 60 is going to make the case why source citation is a vital part of great genealogy research and she’s going to give us the resources to help get the job done right. Gail Schaefer Blankenau is a history and genealogy research expert, author and speaker. She specializes in German genealogy, reading old German script in Midwestern and Nebraska roots, land records, as well as lineage research.
The Pain of Citing Sources for Genealogy
(01:31) Connie from Port Orchard, Washington wrote in recently to say, “I started researching my family about four years ago and your podcasts are very helpful. Thank you. Like many people, I started with the census where I discovered that a great great grandfather had fought in the Civil War. So, from then on, I was hooked. The reason I’m writing is to ask if you would consider doing an Elevenses episode on source citations. I wanted to do the right thing. So, I started researching for how to cite the digital newspaper articles I’d found. I was quickly bogged down in a quagmire of styles, punctuation, and metallics. That’s all well and good for academia. But I’m not writing a thesis. Thankfully, I have Rootsmagic to handle most of that. However, I still have problems when I want to cite my sources. Anywhere else like online trees, I stare at their form for a while wondering what to put there. And then I usually give up, I know I’m making it harder than it is. But I have an irrational fear that if I do something wrong, Elizabeth Shown Mills is going to find out and scold me. (Editor’s note: She won’t. She’s very, very nice!) You’ve done such a wonderful job of taking the mystery out of so many things. So please consider helping us conquer our fears, of citations.” Gail, I know that you’re the person who can help us with this. Do you hear this quite often from other genealogists?
Gail: I do. And I actually share her pain because even though I’m a published author in several genealogical journals, as well as genealogical magazines, I don’t always cite the way the editor wants. I just did a master’s thesis in history and I had to change some of my citing, and I was using genealogy citations. So, she’s right, there is a mix of citation styles. It sounds like she’s doing a good job at the main thing, which is to do good research. But when you want to share your research, people have to be able to check it. I have some ideas for her to maybe consider that we can talk in a little bit more depth today.
Lisa: Excellent. And I like your title, The Good, the Bad and the Ugly
Gail: And I’ve seen it all. I kind of call it the wild, wild west of citation of evidence because we have different citation styles. We as genealogists really enjoy the detective work. I mean, I love detective stories! And I like to solve puzzles. I think most of us who really get into genealogy are like that. So, when we get to the point where we have to maybe write it up or share it with others, we really need to cite our sources, even for ourselves. But you know what citation can be a little boring. And if you feel that way, you’re not alone at all.
Doing source citations feels like interrupting something that we’re enjoying, to do something really not that much fun. But I want to encourage you to cite as you go. And when I say cite as you go, it doesn’t have to be a perfect citation. But it’s important to have all the elements that you’ll need to massage it later. It’s a lot better than going back and redoing what you just did.
Anthony Grafton Quote about Source Citations
(05:35) Historians feel the same way. Anthony Grafton was a historian for Princeton. And he says, “Footnotes seem to rank among the most colorless and uninteresting features of historical practice.” I feel like genealogy is a subset of good history. He does, though, write about citations and their importance, because they counter skepticism from people who feel like there’s nothing that’s true. And there’s nothing that can ever be proven about the past. And so, although it might seem a little bit boring, the fact is, the evidence behind (the source citation) is not. So, we need to be really careful about citing sources, because sometimes we don’t have evidence for our assertions, or we have it but we’re not convincing people that we do.
Definition of a Source Citation
(06:32) I’m going to quote Elizabeth shone Mills because she is considered the Citation Maven for all genealogy. “Citations are statements in which we identify our source or sources for a particular assertion.” (Elizabeth Shown Mills, Evidence Explained, p. 42.)
I would add that almost more important is that the sources for an assertion actually say what we say it does. We’re going to share some examples where they don’t do that.
Resources for Genealogy Source Citations
(07:08) So here are just a couple of three of the style manuals that I’ve used both as a historian as, as a genealogist:
I have to say that when I did my thesis, my professor was talking about the census citation. Well, I used this Ancestry.com quick guide. I think it’s really good. Quick Sheet: Your Stripped-Bare Guide to Citing Sources PamphletI used it in my thesis. I had to go back and redo every single citation of my senior thesis!
Preparing for Citing Sources
(07:42) I should have asked ahead of time of my thesis advisor, “how do you want me to do it?” So that’s just a lesson we might have to learn. Some people find evidence explained citations to be too long, especially people who are going to do something in print. So, we do need to strike a balance.
Lisa: I think you’re making such a great point that part of the equation is what you’re going to be using the source citation for. Your thesis is a great example. It’s important to find out what’s required and what the guidelines are before you begin your project.
It’s also important to think about who your audience is. I know that Connie was saying that she’s not doing it for a thesis paper, she’s just doing it for her friends and family. Although, of course, it’s super important because her friends and family may want to pick up the genealogy down the road. If they can’t make sense of where any of her information came from, they’ll have to start all over. Right?
The Problem with Source Citations
Gail: Right. And you don’t want to have to recreate the wheel. There are two problems that can occur with citations. One, that it’s not a good enough citation for people to find it. We’ll cover the elements that a good citation should have in just a moment. I’m not one of those people that gets really mad at you if you use a comma instead of a semi colon. I also don’t think there’s any one right way. But once you choose your way, whether it’s Chicago style or Elizabeth Shown Mills, be consistent.
There was an earlier book by Elizabeth Shawn meals that’s much slimmer that a lot of people use because they find Evidence Explained too much. They use her earlier book. I like A Manual forWriters of Research Papers, Theses, and Dissertations, Ninth Edition by Kate Turabian. They’re all based on Chicago style. Turabian gets it done for me most of the time. When I have a question that’s very specific to genealogy I might go to Evidence Explained. There’s no one right way.
Consider the Reader in Citing Sources
I always think about the reader as well as the editor. I find out what the editor wants, but I also think about the reader. We’re all readers of genealogies. Think about what you experienced that didn’t go so well. When you were trying to figure out what someone was doing or saying in an article, or especially in the old genealogies that are not well referenced. Think about that. Pretend you’re that person who wants to find that source.
Let’s start with some ugly examples of source citations, and this should convince you why you need to have good citations. Whatever form you use, they need to be good, and they need to be complete.
Fraudulent Source Citations
There’s a man named Gustave Anjou. We should know something about him just by the fact that he changed his name. This is kind of a pen name that he used. He was a professional genealogist in the early 1900s. His real name was Gustaf Ludvig Jungberg.
He was hired by some wealthy families who had colonial American roots. They hired him to write their genealogies. The reason why I don’t want people to get so hung up on citations is that they lose track of doing good genealogy. He had lots of citations! And they were formatted well, and they were looked good. And most of them were good. Robert Charles Anderson, who is one of the more famous genealogists looked at some of these old genealogies and he said a lot of the citations were went to legitimate sources. And they were. They said what he said they said, but interwoven into all of these beautiful citations he basically put in false information. He told these people that maybe they were related to a nobleman or the signer of the Declaration of Independence, because really, back then a lot of people were doing it for reasons like feeling their roots were maybe a little bit more glorious than they were. The thing is, he was a fraud. But he did cite his work thoroughly, and they were well put together. People can make stuff up. And appearances can be deceiving, which is why I want us to always keep our eye on the main ball of citations that are informational. It doesn’t have to be perfect, especially if they aren’t going to be published. Your viewer Connie doesn’t need to really please anybody but herself. But I do want her to pretend that she’s the reader that might want to track down that citation and see the original. That’s mainly what we want to do.
Robert Charles Anderson did write an article (Fraudulent Lineages and More Fraudulent Lineages) about fraudulent lineages. If you Google Anderson fraudulent lineages you’ll see some of the early genealogies that were bogus. I have some families in there. When I was a beginner, I went to the genealogy library and I looked at some of these genealogies. I put them in my pedigree chart. And then later on when I went back to really do my real research, I had a lot of correcting to do! So, you might as well do it right the first time and know that there are some bad genealogies out there.
Genealogy Source Citation is a Balancing Act
What we have to balance is the importance of citing your sources and getting it right. Source citations are so critical to our own research. We’re running across these kinds of things all the time. So, in a sense, we’re doing them for the benefit of others and making the case that to the best of our knowledge, this is accurate, and this is where I got it.
Source Citations Help When Family Tree Questions Arise
We all at some point probably hear from somebody who says, ‘I don’t know that that’s right.’ They see our online family tree or they want to question something we did. It’s nice to be able to go back and quickly be able to reorient yourself to where you got that information and be able to make that case. It doesn’t make you a bad genealogist to discover ‘Oh, gosh, he’s right, that person isn’t correct, or that document isn’t right.’ Or it may eventually turn out that the information has been disproven. So, we all want those trails leading back so we can make the fixes.
Use Prestigious Genealogy Journals as Sources
(17:19) I’m not saying don’t look at genealogies ever. You might you want to know what’s already been produced. But that literature search should also include the more prestigious genealogy journals.
One of my first major genealogy articles was in the New England genealogical historical register. And it was correcting the Mead genealogy. I think Spencer Mead did a good job on his direct line. But this was a comprehensive genealogy. My line was so wrong that I didn’t even know where he got it. And it wasn’t well referenced. I wrote a three part article, and that journal rarely does three parters. But there were so many errors that I corrected that it merited that large of an article.
Another time a person asked me, “well, where did you get that? Because the tombstone doesn’t say that.” If you have a good citation, then you’re OK. Your citation can even talk about discrepancies. I certainly don’t remember 10 years ago what my thought process was about that. I know I did the analysis.
I’m doing a book right now for the Nickerson Family Association. When I have something that I really feel needs discussion, such as there are two different birth dates or they’re two different death dates for this person, I talked about those sources and the comparison I did in the footnote.
Lisa: Wow, that’s a wonderful piece of information for those who will come after you later down the road. They will be able to see that discussion. I love that idea. What you’ve shown us so far as the ugly. You’ve got some BAD citations, too, right?
An Example of a Bad Genealogy Source Citation
(19:00) Gail: I do. This is going to be my True Confessions. I started when I was really a teenager, and then I really got into genealogy in my teens. When I was in college, I was working at an office at college and taking classes. I ducked into the genealogy library on my lunch break. I’m interested in my second great grandfather, William Nicholas Johnson, and he was a civil war veteran. I’m just pulling everything off the genealogies shelf. That was back when they actually let you into the stacks. They don’t do that anymore. I had a little notebook that I would write things down in and then think “I’ll get back to it later.” And this was a note I had.
Gail’s original note about the source.
And I just laugh at myself, but kind of with the idea that I don’t want to cry about it. It says, “W N Johnson, Life Sketch Civil War.” Well, Johnson is a common, so I don’t know if it’s my guy or not. And it’s Maryville Tribune. I know, he’s from Missouri, but I left out Missouri. It would have been nice for other people to know, but I knew it. And it says February 18. No year? What book did I get it from? I have no idea. (I wrote it down quickly and then went onto other family lines.) Now it’s many years later, and I run across this cryptic, and I mean, cryptic little intro. That’s why I say cite your sources as you go.
I don’t care if you get them in the right order, but at least write it all down. Because you don’t want to go back to the library and try to figure out what book it came from. I finally did come across it in the Missouri Historical Review. And you can see I circled, basically, I wrote down what I circled.
The source of the note.
The year was on the prior page, which I didn’t write down. Maybe I thought I’d get to it sooner, but I didn’t. I spent quite a bit of time in the library tracking down the Missouri Historical Review. What if I had done something more like this:
Example of a Proper Genealogy Source Citation
“Historical Articles in Missouri Newspapers, January-June 1925,” Missouri Historical Review, Vol. 21, no. 2 (January, 1927), 321, Nodaway County, Maryville Tribune, 18 Feb 1925, “Life Sketch of W N Johnson.”
It’s super easy for me to check now. So not only do you want to do it for other people, but you want to do it for yourself.
Lisa: It makes me realize that it’s important to know the pieces, the elements within the source citation. Like you said, even if you just jot it down, and you intend to put together the proper citation later back at home at your desk, you’ll have all the pieces that should be there.
Gail: I never would have been able to use that citation in an article. But now I have a proper citation. It also led me to find out whether this was really my guy. By the way, if you do have Missouri ancestors, the Missouri Historical Review is a really neat resource. It’s digitized online now.
That’s a bad citation but there’s another kind of bad citation. I had a Bennett Posey Family. I think he is my fourth great grandfather, maybe third. There are probably thousands of trees online because we’re very prolific. They all have his wife as Rhoda Hobart. As a professional looking back I’m saying this wasn’t really Rhoda Hobart. This Posey Genealogy had really good citations and it looked good. Now I don’t think he was like Gustav Anjou trying to fool anybody. But I took a look at the citation to his will (and wills sometimes do help you to figure out who married whom.) The will doesn’t say at all what he said it said. That’s the other kind of bad citation you can find. I didn’t have a problem finding it. But the citation didn’t support the assertion. I looked at another will and I thought, oh, this was the will he meant. Even though it was closer to supporting it, it turned out that Rhoda Posey was a guy, not a girl. So, I don’t think Bennett married Rhoda Posey the guy. I think he married some other woman that I saw. She’s still blank on my tree because these days I’m doing everybody else’s genealogy research except my own. But that’s an example of another bad citation that didn’t support the assertion.
The Cost of Bad Genealogy Source Citations
Lisa: That’s a great example. And it’s a lot easier to get help from other people, like a reference librarian, if you have a great source citation to offer them.
Gail: Yeah. I mean, they don’t even charge me which is nice. Other times they’ll charge five dollars. But a lot of times, they’ll say, “Well, unless you can give me a good citation I can’t help you.” Or you end up paying a professional to spend two hours chasing something down rather than just giving them where to look in the first place. They might be pulling a record for you that you don’t have access to online. There are a lot of things that can happen. So again, get all the elements, you can always massage it later, you can always check Turabian’s book or something later to get it right. So, source citations save us money! And time is money. No matter how you slice it, you really want to write as much down as possible and always think, “how am I going to find this again?”
Gail: I think I’ve convinced everyone not to get hung up completely on the format or wherever the comma goes. Just make sure you have all the elements that allow you and others to check it and make sure it really is saying what you think it says. I have a style guide for books that I use, so I copy and paste from there. Just be kind to yourself, but also be diligent. So, let’s talk about some good.
How to Create Good Genealogy Source Citations
(27:49) This is the best part! Number one, I want to talk about types.
Types of Source Citations:
Source list entry
Full reference note
Subsequent reference note
Sometimes I notice that people kind of get them confused. There’s a source list entry, which is kind of like the bibliographical reference. This is the actual source. You can have a full reference note, and that is for the first time you cite that particular source. These are usually longer. That’s the one that’s going to allow you to find it.
If you’re writing up your genealogy, then you have following or subsequent reference notes. This is out of Evidence Explained. But they say the same thing that The Chicago Manual of Style, 17th Edition
says, and the same thing that A Manual for Writers of Research Papers, Theses, and Dissertations, Ninth Edition by Kate Turabian. They all say the same thing.
Some of you might be MLA, some of you might be MPA. It doesn’t matter. We all have these three different types that we may be using. And here are the elements:
Elements of a Good Source Citation
Title or creator of the source
Author(s), editors, or compilers
Publisher (year published)
What it is
Page #
Film #
Record group name and #
URL for online source
Repository (sometimes)
Now, depending on what you’re looking at, the elements will differ. You’ll want the title of the source or the creator of the source, and sometimes both.
Author(s), editors, or compiles – If you’re citing a book, you will want all the editors, the authors or compilers and say whether it’s an edited work, or a compiled work. You’ll want the publisher if there is one. Some things are self-published, and then I just put in brackets [self published] and the year it was published.
What it is? Is it a marriage book? Is it a Bible? What is it?
Page Number – If it’s paginated, if it’s not page numbered you say unpaginated. Do tell people that it’s not. Don’t make people guess whether there’s a page number so that they don’t obsess about it.
Microfilm Number – If you’re using microfilm, you need to put the film number because that’s what you’re looking at.
Record group name and # – If you’re looking at primary sources include record groups if they’re pertinent. If I’m at the courthouse, I include the courthouse and where the courthouse is. Sometimes I’ll put such and such a county, because how many Washington counties are in the United States?! Make sure you’re sure you say the state. Say that it’s in Bellevue, Nebraska, not just Nebraska. There might be more than one place like that in a state, not necessarily the same named county, but there might be towns with the same name nearby.
URL for online source – Obviously, if the source is online, you need to give the URL.
Repository (sometimes) – And sometimes you will want to have the repository where it used to be located. If you look at a book, say what repository you found it. If I looked at a book, if it’s a famous book, you know, and every genealogy library has it, you don’t have to put the repository. But obviously, when I’m citing the fugitive slave warrant, that I found at the Abraham Lincoln Presidential Library in Springfield, Illinois, I need to say where it is because no one’s going to be able to find it unless they know where to look.
All of those elements mean there’s no one right way, but you do have to make sure all the elements are in it. Once you choose the style, be consistent. If you’re using A Manual for Writers of Research Papers, Theses, and Dissertations, use it consistently. Don’t go off and do something else unless it really is an unusual thing that Turabian doesn’t seem to cover in her book and just try to do the best you can.
Lisa: I imagine it’s just like with naming your files on your hard drive. It’s probably more important to be consistent than to have it be somebody else’s view of perfection. You want it to include all the important pieces. So, that’s reassuring for folks to hear there isn’t just one right way. You’ve offered up some of the styles and things that we should be looking for. And I know you’ve got other resources as well that will help guide us in the right direction, right?
Gail: I do. The book Evidence Explained by Elizabeth Shown Mills is really good, but I don’t use it as much as I used to. And I do think it can be really daunting. There are people out there who will say your citation is wrong. They’ll say, “Well, if you want to stress the document, start with this, if you want to stress the person start with that.” I don’t know what they’re looking at. And I’m thinking “well, yes, it is actually that I wanted to stress the document, because this is a document and analysis. So, the purpose of what you’re using it for really, really matters. Just keep that in mind. Again, for your listener, she should stop stressing about it because she’s probably doing a good job.
(30:00) By the way of some of those reports – I don’t want to use names – but their databases that we use, I don’t always like the output that they do for their citations. But at least they’re there. But a lot of them are a little jumbled. And they don’t seem to adopt any particular style, though they have all the elements usually that you need. So that’s good. But I’m not into doing that.
I usually do my citations in a separate Word file. I always make my own style guide for every project. I have one source that was in what’s now Poland, but it was Pomerania. And I had my own style guide for that, because I was using an online Polish website that had digitized records. The records were in German, so I could read them. So for my citations for that I had the Polish name, I had the German, and then I have the English translation. I just decided I don’t want to rewrite every citation every time I cite this. So, for my reference, I had a style guide. And that’s a really good idea. Put the work in at the beginning, in a Word file and say, “Okay, I’m gonna spend some time maybe a whole day figuring how I want to cite it, but that’s what I’m going to use.”
Lisa: I like that idea. Using a template, it speeds things up, and it keeps it consistent.
(31:51) Gail: Exactly, exactly. And again, this was something that a lot of people weren’t citing, because they’re really daunted by the Polish website. It took me a while to learn how to navigate it. I don’t speak Polish, I speak German and English in French, and some Spanish but I learned it because I’m a genealogist and that’s what we do. Right? Genealogists are great learners. They will power through the most difficult things to get to where they want to go. So, we don’t want to let the daunting nature of citations continue to stop us from doing it at all. Better to do it, do it in your own style, your own template that you’ve come up with, hopefully, based on these resources that you’re providing, but at least doable rather than saying “Oh, I’ll do that later.”
Like I said, you can always rearrange some things or add an element later. But you need the main things, and you need to be consistent. You’ll save yourself a lot of trouble later on if you cite what you see. And this is also in Evidence Explained, but all the other style guides say the same thing.
If I’m holding the death certificate, I cite the death certificate. If I have a Bible, I cite the Bible and where it is who owns the Bible. Sometimes you have to say as of the year you referenced it. I may not know where it is this year, but at least you’ve got breadcrumbs.
(In the video Gail shared an example of a photocopied of vital records for James Arnold of Rhode Island.) I’m citing the book because I’m not looking at it online. I always check the original whenever I can. The reason I looked at the original is because there was a discrepancy in two sources. And then Cirilo said, oh, by the way, this is a copy too. And we don’t know where the originals are, we think they were destroyed when they were copied. He even gave me who copied it, and when. So that made it into my citation because this is as original as it gets. Sometimes when people transcribe, they don’t mean to, but they make an error. But that wasn’t the case here. But you have to do your due diligence. Whenever you see something that doesn’t make sense, or you have a discrepancy, you’re going to have to track down the original. And I still think it’s better to have the original anyway.
In another case, another Rhode Island one, I had a Samuel Reiss Smith within the vital records. But when I tracked down that original, it said Samuel Royal Smith, so it was my guy. I knew my guy was saying Royal because I had the Bible Arnold had, he just had a hard time reading the handwriting. So I went back and looked at the handwriting. Nope, this is Royal. So, you do want to get the original as much as possible. It made my case.
Citing Genealogical Image Sources
Which brings us to the very important subject of images. Most of us are using lot of images online. Remember, images might be enhanced. And that’s sometimes a good thing. It’s also sometimes a bad thing because there might be some things left out. The other thing is that there may be another one out there, but it may not be the same, kind of like the editions of books. And the series might have a gap.
In my thesis, I’m citing lots of censuses, and slave schedules, because I’m exploring some enslaved women who left enslavement in 1858 from Nebraska territory. I’m using the 1860 territorial census, and it’s online at Ancestry. It’s also online at FamilySearch. When I go to the Nebraska State Library and Archive, there’s a page at the front of the census for their county that lists all these slaves, all the enslavers and the number of people they have enslaved. And that is not online. But it’s critical if you’re looking for African American ancestors. So the census enumerator didn’t follow the rules. They were supposed to fill out a slave schedule separately, but they didn’t because it was a territory. So, they made it up. And there is a record, but it’s not online. So remember, if you’re looking for something and you’re thinking, Oh my gosh, it’s not there, you might have to kind of dig and look at the film and maybe even have someone go to an archive and say, “can you look at this?” Sometimes people don’t mean to but when they’re filming, they miss a page and, of course, it’s going to be the page that your ancestors on!
Lisa: Of course, that’s always the way it works. You know, Gail, you mentioned that images might be enhanced. Tell us a little bit more about what you mean by that.
Citing Enhanced Images
(39:22) Gail: They might be enhanced by changing the colors so that it’s a little bit better and sharper, which is good. But for instance, I did a lot of my initial German research off of microfilms now at Matricula. For the Catholic records, they’re in color, and they’ve enhanced it by coloring it and sharpening them so they’re easier to read. There’s a lot of underlining done in German records, and sometimes the underlines are in red, and they didn’t show up on the microfilm and they show up on the digital image. So you do need to go back and kind of look at original images and see what you’re not seeing online.
Lisa: Being able to make a notation about this in the source citation. I mean, these days, my goodness, any digital image could be altered.
Gail: Exactly, and people can add things to them. And I have an example of why it’s important to say, even when you’re looking at what you think is an image of an original, (which is generally in genealogical standards considered almost as good as the original) But sometimes it’s not. So, this is where Evidence Explained is right. You do need to be really thorough. Are we doing good work? That’s always the question you need to ask yourself. Does that source that I’m citing actually support my assertion or not?
So this the top one, as you can see, it’s white on black. Now of course, that’s the microfilm. But we’re pretty sure the original wasn’t black on white. But they were having trouble getting a good image. So they changed it. I cited the film St. Andrews Verdan Evangelical Church. It’s unindexed. And it’s a baptism, 1800, and I give the FHL microfilm. And I added, thank goodness, citing film from a manuscript in Berlin. Now, she may not like that, she might want me to say what manuscript in Berlin it was. But you know what I feel like – and my history thesis person said – I cited too much. So can you find it? Yes, you can. That’s the question. But the reason it was important for me to put the extra thing about where the film and the manuscript is, is because Ancestry digitized it years later. And you start with Ancestry, usually, with the name of the database. You say that it’s a digital image, so that you know that you’re actually looking at a scan of some original. And in truth, St. Andrews Verdan Evangelical Church, and this manuscript is in the Niedersachsen, or Lower Saxony archive. And do you see any differences in those two things? Because I do right away. Number one, it’s a better image. But there’s a 42 on the lower one, and there’s no 42 on the other one, and the other one has page numbers, and the other one does not. They’re the same record, same church. If you don’t do a lot of German genealogy, what you don’t know is German parishes make duplicate records by law. So one is the duplicate and one is the original. The original is probably added to later by the actual parish person. Or the duplicate, they went back later and said, “This is hard to use, because we don’t have any page numbers or entry numbers, so we’re going to add them.” I love looking at originals, because you can see that it’s different ink, you can see whether it’s a different color. And with imagery, you can always see that. So that’s two, same person say project. One is easier to find the record than the other because they added the 42. And you know, all those stamps on your digital image at the census record. Those weren’t there originally. That’s why we say page numbers stamp or page number written.
Knowing the Genealogy Records Makes for Better Source Citations
Lisa: Exactly which can get very confusing when people are trying to go back and find things. You’re really also making the case of how important it is to familiarize yourself with the records that you are going to be using. You can discover things like the fact that in Germany they legally had to make these copies and they distributed them and that would be different in a different country where you’re researching. I love reading the full descriptions of the records, whatever I can get my hands on. Genealogy websites can tells you more about the background of the record, how they acquired it, etc. All of that could help support them making an even better source citation.
(46:52) So the other thing, and I think I’ve kind of already alluded to it, is sources of sources. And this example is one from you know, the olden days. You can look at this in what they call the Massachusetts brown books. And this one is actually an image. So I’m going to add that I got it at AmericanAncestors.org.
Massachusetts Vital Records to 1850 (Online Database: AmericanAncestors.org, New England Historic Genealogical Society, 2001-2016), https://www.americanancestors.org/DB190/i/7687/338/141204368, Danvers Births, Vol. 1:338, citing First Congregational Church (Salem Village), Danvers.
Notice at the very end I say citing First Congregational Church, Salem village, Danvers. So it’s in the Danvers VRs, but it doesn’t mean that they were in Danvers, proper. So a lot of people might stop with Danvers, but that CR1 means Congregational Church, Salem village.
How do we find that out? If you’re online, you go to the beginning of the book and look at the abbreviations. Always see what’s in here. Does it matter whether your ancestor was a Baptist, Unitarian, Universalist, Congregationalist or a Quaker? Absolutely! So do know that those little citation citing something else, you need to kind of run that down and put that in your citation. That’ll help you and other people to make sure you know which John Smith you’re talking about. How many John Smiths do I have in my background? Quite a few! Was my John Smith, a Quaker? Well then it may or may not be the person who was at Salem Village in Danvers. And look: there’s two congregational churches in Danvers, one is Salem village, and one is in Middle Precinct.
Discussing Discrepancies in Source Citations
(48:21) And again, talk about discrepancies. You know, my Bristol one? I had that said he was born 11th December, and one that said he was born ninth December. And both of them were copies of original records that can’t be found. So, I just say, I looked for the original records, did my due diligence can’t be found, here’s what may have happened, they’re two days apart, but it’s definitely the same guy, and here’s why. So always handle discrepancies in your source citations.
Most Commonly Used Source Citations
(48:42) Here are two source citations that are fine:
Williams-Schultz Marriage License and Certificate, Saunders County, Nebraska, Marriage Book 5:162, RG204, Film #3B, Nebraska State Historical Society, Lincoln.
Saunders County Clerk (Nebraska), Marriage Book 5:162, RG 204, Film 3B, Williams-Schultz Marriage License and certificate, NSHS, Lincoln.
Somebody might write to you later and say that I’m wrong about this. But I have looked in Evidence Explained, I’ve looked in The Chicago Manual of Style, 17th Edition and either one of these is correct. But I wanted to show you why there’s no one right way.
I started with the first one William Shultz marriage license. And I like to use that format more where you say what it is, especially when you’re using end notes. I don’t know about you, but I really liked footnotes better because I could check right away. But a lot of editors and a lot of history books, you have to go to the end notes. So, if I want to check and there’s just tons and tons of footnotes, how much easier is it if you’re checking where I got the William Schultz marriage to start with a William Shultz marriage what it is? It’s easier to find for people, right? So, I always try to pretend I’m the reader who hasn’t been part of this big project that I know inside out.
Now, if it’s his license and certificate put that, because in some record sets the licenses are in separate books than the certificate. This one, the licenses is above and the certificate is below so it’s all one page. But I just let people know they’re both on here. But it’s not wrong for me to start with Saunders County Clerk who’s the creator, the marriage book, five 162, the record group because I’m looking at the archive. But I’m still looking at a film, I’m not at the courthouse. If I wanted to go to the Saunders County courthouse, then I would just say Saunders, county clerk marriage book five. And then I would say Wahoo, Nebraska, because that’s where Saunders county courthouse is. Now they know I went to the courthouse. You can do it either way. But make sure all the elements are there so people can check it.
Now I know some of your listeners might be wanting to publish an article or publish it for posterity, which is always good. I do encourage people, especially if you’ve done some really original research, that’s a breakthrough, I say get it published. Get credit for what you do, because people are going to take it from you, and they’re never going to cite you. I have a friend who’s done some incredible research. And I keep saying you got to write it up, you got to write it up! You are the expert witness. And it will actually help you to write it up, too. Because there’s where you see, “oh, maybe my train of thought was not as clean as I thought it was” or “Oh, I need to do a little bit more.”
The Right Way to Do Genealogy Source Citations
(51:45) You might be thinking, “just tell me the right way.” But when I’m writing, the right way is how the editor wants it. You have to study the publication. (In the case of writing it up for your family, you are the editor who gets to decide.)
For the footnotes for instance. 1790 census in this particular journal, which is peer reviewed by professional genealogists: 1790 U. S. Census, East Greenwich, Kent Co., R. I., p. 59.
Here’s a footnote that is a published footnote in there. It’s following footnote, but it’s a good footnote. Notice that they abbreviate County, they abbreviate Rhode Island. And as some people might not even put R. I., they might just do RI. That would be just as good, but that’s not how this editor wants it.
Here’s a very similar footnote for this journal, New England Historical Genealogical Register, another prestigious journal very well: 1790 U. S. Census, Norwalk and Stamford, Fairfield County, Connecticut, roll 1, p. 326.
I mean, if you read it in there, it’s been well researched. It’s been well cited. That’s their footnote. Notice they spell county out.
Is one right, the other one wrong? No, they’re just different. And they’re both helpful. You can find them.
And here’s Evidence Explained: 1790 U. S. Census, Fairfield County, Norwalk and Stamford, digital image, Ancestry.com (http:www.ancestry.com : access date), entry for Smith Mead, p. 326 (written) line 22, citing NARA M637, Roll 1.
That very same one that I just showed you from New England. And you know, if you’re going to print it on a paper, paper is expensive. Ink is expensive. So they’re going to do the shorter one. It’s just how it is.
Access Dates in Genealogy Source Citations
(53:15) And now access date. There’s still a debate about that. There’s a debate about whether you have to do HTTPS www ancestry.com. Some people are just taking that out, because everybody’s so familiar with Ancestry.com now, we may not need that whole URL. We just put ancestry.com, and everybody knows that. Or familysearch.org, access date. I usually put the year at least, because I’m already noticing that Ancestry.com has re- titled some of their databases. Just handle explaining your decision in the beginning of your book or paper. Explain where you’re coming from.
What I’m asking for is balance. I feel like there’s been a pendulum swing, because genealogists used to be really looked down upon by professional historians. There was a lot of sloppy genealogy done in the old days. Now I feel like sometimes we swing too far, you know. I do not always put that it’s the NARA publication number, blah, blah, blah, I put that in the intro. And then I shorten it because it’s going to be printed up and we don’t have the paper to do it. We just can’t waste all that paper. I’m being an ecologist here. But most good editors do strike that balance. They understand that, you know, it’s all about sources. It’s all about supporting your assertions. And as long as you’re doing that, you’re doing well.
Lisa: I like that. That’s a wonderful note to end on, which is, as long as you’re keeping these your audience in mind, you’re being consistent. You’ve turned to really reliable source citation reference materials like you’ve given us here. And we know we’re going to do a good job.
Gail: I want you to focus on the evidence, and the citations are your help. They’re not an obstacle, they should be your help.
Lisa: I like that idea very, very much. And the evidence is really the fun part, isn’t it? And we have to make sure we’re not so stressed out about source citations that we aren’t thinking clearly and evaluating the evidence that we’re coming across.
Gail: Right, exactly. I mean, I do think there’s some people who get too hung up on that, and they’re spending time on it that they could be using to do a little bit more analysis.
Lisa: Yeah, that’s a great point. And it’s easy to want to hyper-focus on what you feel like you can control. And you know, a lot of times, you can’t control the evidence, you can’t control your access to things. But we want to keep that end goal in mind of just do the best research that we can do. And you’ve certainly helped us with that.
Gail, tell folks, if they want to learn more about what you do, if they want to talk to you about research, how do they find you online.
Please leave your questions and comments below. Gail was kind enough to answer questions from the live chat:
Q: I’m used to APA citation format, is the citation format for genealogy a lot different? A: Excellent question. It is similar, but different enough that you may want to use Turabian or Evidence Explained. Sometimes when I am in Worldcat.org I will look at the different style formats they have in a dropdown menu just to see what the differences are. Once you decide on a format, then be consistent.
Q: If we use Roots Magic, is it best to use their templates or should we create our own style? It is up to you. A: The templates can be very helpful as we are less likely to leave important elements out. In my own experience, it takes me longer to input through templates, but the difference in time is probably not so much that it would be discouraging.
Q: Tips for using Ancestry’s citations? A: Although they have improved their citations through the years, Ancestry’s citations do not always meet the genealogical standard. A resource I use is “QuickSheet: Citing Ancestry.com Databases & Images, Evidence Style*”
Q: How do you cite inherited genealogy scans like family Bible, letters, and documents that you don’t know where it came from? A: I would consult Turabian for this. As far as you can trace provenance, you need to have that in the first entry citation. Here is an example:
[1] Family Data, Joanna Edmonds Boomer (1819-1895) Bible, no publication date as the pages were torn out of original Bible and were found loose in the genealogy file of Mary Otis Boomer, wife of Rev. Israel Oscar Boomer, son of Washington Boomer and grandson of Joanna Edmonds Boomer, by her granddaughter and present owner, name private.
When you have repetitive items do you use IBID only changing the date and page? Yes. If you are writing for an editor, check with their style guide first.
Q: Where is Gail inputting her style guide source information within her genealogy software? Am I misunderstanding, she has a quick reference sheet she’s created in word, but how is she inputting it into her software of choice? A: You are not misunderstanding. I have style guides for big projects that have a lot of repetitive elements. I have these in Word. I copy and paste into the manuscript. If putting it into software, I still copy and paste, but not all at once, as different programs have you input titles, authors, etc., in different order. Example: Census (U. S.) 1850-1870
*year U.S. census, * Co., *state abbreviated, *township, p. #, image database, database URL, dwelling#/family #, *name of individual and/or head of household.
Q: What does it mean in a citation to say “citing ” (as in “citing film”)? A: It is a good practice to mention what you are either looking at or holding in your hand. So, I might say “Washington Deaths,” image database, website URL, accessed date, entry for NAME, date of death, citing FHL microfilm, etc. This tells the reader that I am using an image database, but that the digital image is a copy of a microfilm, not the original paper death register. So, I cite the microfilm, because that is what the image represents. I do not always use the terminology, “citing” but often I do when I am dealing with digital image databases. Some researchers still use access dates, but for instance, in my Master’s thesis, they did not want so many dates and long citations, so we said accessed in 2020, or in some cases, “various dates in 2020,” rather than littering it up with long date formats.
Q: Are templates for sources to be done for each project? Can templates be used over and over? A: I use my Word style guides over and over, regardless of project. However, I also have special projects where I have a separate one. What I normally do is take my “usual” style guide and adapt it or add to it. For instance, I have one for when I am using the Polish State Archive, with my “normal” citations, plus the idiosyncrasies of that archive, another for when I’m primarily using Archion, and another one for the large book project (mainly Massachusetts but ultimately nationwide and into Australia), and of course, I have a separate one for the book I am writing under contract.
Q: My mother wrote a lot of things down for the family historian (me), some were dictated and some in her handwriting and actually some from a previous generation. For my personal genealogy can I use these as a citation? I plan on scanning her notes and adding it to my computerized tree and the originals in my wonderful books of saved documentation. (The class you did many moons ago)? Thanks for a wonderful cl A: I love this question. Yes, I would cite your mother’s work. If dictated and you were the writer, you may want to call it interview notes, and the date, if you have it. Her own notes you would cite her as the author/compiler. Again, I would consult Evidence Explained and/or Turabian for this situation, and then decide what format and order you want to use. Once you establish your “first entry” note, you can then use a short form note for any other references to that particular part of your mother’s research.
Welcome to a book club just for those who love family history! Here we share our top picks for fiction and nonfiction from authors around the world. These books all have something for us to love: stories about the search for family and identity, stories about family relationships, stories about fascinating periods in history. These books inspire us to keep discovering and writing our own family stories. Follow our Book Club blog posts and hear from the authors on The Genealogy Gems Podcast. Join in the conversation on our Facebook page (#genealogybookclub). Looking for how-to books? Check out our companion list of how-to genealogy titles.
Featured author: British novelist Nathan Dylan Goodwin
Grappling with Legacy by Sylvia Brown. A descendant of the prominent Brown family, connected to Brown University, traces her family’s involvement in philanthropy, Rhode Island history and the institution of slavery hundreds of years. Her purpose, she writes, was to come to terms with “two seminal events which may seem diametrically opposed: my father’s decision to give his inheritance (and mine) to Brown University, and the transformation of the Brown family into the poster child for the evils of the slave trade.” She also hoped to bring her living Brown descendants closer to each other. A Kirkus review of this book calls it “an often riveting history of a family that left an indelible impact on the nation.” Lisa Louise Cooke interviews Sylvia in the upcoming Genealogy Gems Premium Podcast episode 155 (available to subscribers in late January 2018). Hear a short clip of that conversation in the free Genealogy Gems Podcast episode 213. Her story is included in a New York Times article on inherited wealth, “Keeping the Family Tree Alive.”
A Piece of the World by Christina Baker Kline. “You can never escape the bonds of family history, no matter how far you travel. And the skeleton of a house can carry in its bones the marrow of all that came before.” So says the Prologue to a new novel by best-selling novelist Christina Baker Kline, whose novel Orphan Train has been loved by millions around the world (and a lot of Genealogy Gems Book Club fans–we featured it in 2014). A Piece of the World is a unique and irresistible story about a woman whose physical disabilities and family’s demands keep her adventure-loving spirit firmly homebound. Granted, her home is a fascinating place: a 1700s-era home on the coast of Maine that has been passed down for several generations. But the noble legacy of the home instills a sense of obligation in those who live there now: do they stay on the family land at all costs, even the cost of their happiness and health? What happens when a family’s heritage becomes a burden, not a blessing?
It’s All Relative: Adventures Up and Down the World’s Family Tree by A.J. Jacobs. You could say A.J. Jacobs is famous for asking questions that seem both important and inane, and then pursuing the answers and writing about it. That’s what he did with his best-selling book The Year of Living Biblically, a chronicle of the time he tried to obey every rule in the Bible. Now he’s done it again in his new book. The questions A.J. set out to answer here were, “Who is really my family? And what would happen if I tried to host the world’s biggest family reunion?”
is a stunning tale: Father Shannon, an American Catholic priest of Irish descent, has serious “shell-shock” trauma after serving in the trenches of World War I. His archbishop sends him on a respite trip to Ireland to travel up the Shannon River looking for his family roots. He lands in the middle of an Irish Civil War—but also encounters person after person who helps him rediscover his faith in humanity and the restorative balm of daily life. Meanwhile, intrigue is afoot within his home archdiocese. A killer, who has his own traumatic backstory in Ireland, is dispatched to make sure Father Shannon never returns home. Their stories converge in a place of love, but also far too close to a place of pain. And that’s all I’m going to tell you about it.
Murder in Matera: A true story of passion, family, and forgiveness in Southern Italy by Helene Stapinski. The subtitle to this family history murder mystery promises a LOT–and it delivers! As a child, Helene Stapinski heard about her great-great-grandmother who fled Italy–with young children in tow–after being involved in a murder. Parts of the story were vague: who was killed? Why? When? How? Nobody knew. But other details were startlingly precise and consistent. She had to leave her husband behind. A man named Grieco helped her escape. A child was lost on the way to America. Years later, Helene embarked on a 10-year quest to learn the truth behind this family legend. Her journey took her to Matera, Italy, and eventually to a 600-page criminal court file from 1872.
Books by Sarah A. Chrisman. This fascinating author is a living icon of the Victorian age. She and her husband Gabriel live like it’s about 1889. They wear Victorian-style clothing and use a wood-burning stove and antique ice box. Sarah wears a corset day and night; Gabriel wears 19th century glasses. No TV, no cell phones—and Sarah isn’t even a licensed driver. Take your pick of Sarah’s books to read! Catch Lisa’s conversation with Sarah about her memoirs in the Genealogy Gems Premium Podcast episode # 142. Holiday bonus: everyone can hear Lisa Louise Cooke’s conversation with her about Victorian holidays in the free Genealogy Gems Podcast episode #198.These are Victorian Cycling Club Romances, from Sarah’s series of light-hearted historical fiction set in an era Sarah knows well!
These are Victorian Cycling Club Romances, from Sarah’s series of light-hearted historical fiction set in an era Sarah knows well!
Everyone Brave is Forgiven by British novelist Chris Cleave begins in London in 1939. War is declared. Wealthy young Mary North “leaves finishing school unfinished” and signs on for the war effort without telling her parents. What ensues is war beyond her naive imagination. A love triangle, a long-distance romance, the London Blitz and the bombardment of Malta. It’s intense, eye-opening and compassionate about living and loving in a war zone and its aftermath. The book is inspired by love letters exchanged between the author’s grandparents during World War II. Author Chris Cleave joined us on the Genealogy Gems Premium Podcast episode 139; catch an audio excerpt in the free Genealogy Gems Podcast episode 195 and a short video narrative here).
The Summer Before the War by Helen Simonson. Beatrice Nash has grown up traveling the world with her father. Now he’s gone, and she’s in East Sussex, England, fighting to keep her new job as a Latin teacher, meeting the locals (both gentry and gypsy) and trying not to fall for handsome Hugh. Then the Great War breaks out, and Beatrice joins the village in the war effort, hosting refugees and sending the men off to fight (including Hugh). This novel follows Helen’s NYT-bestselling debut novel, Major Pettigrew’s Last Stand
Citizens Creek, a new novel by New York Times best-selling author Lalita Tademy. Some of you have probably read her previous novels, Cane River
Pioneer Girl: The Annotated Autobiography of Laura Ingalls Wilder, edited by Pamela Smith Hill, is the “grown-up” version of the Little House children’s books. This never-before-published autobiography Laura wrote in the 1930s is packed with detailed recollections of pioneering in an American West that was fading away. Her stories will intrigue–and sometimes stun–any Laura Ingalls Wilder fan. Tons of background research is impeccably cited in source notes. Hear our exclusive interview with Pamela Smith Hill in Genealogy Gems Premium Podcast episode 127 (Premium membership required to access) or hear an excerpt in the free Genealogy Gems Podcast episode 183.
The Ghost Army of World War II by Rick Beyer. This book–the basis for a PBS documentary–tells the story of a handpicked group of young GIs who landed in France to conduct a secret mission in 1944. These 1100 men had one goal: to fool the German army into believing they were an American army thousands strong, and draw their attention away from the actual fighting troops. Hear the interview with the author and filmmaker in the free Genealogy Gems podcast episode 182.
Orphan Train
Update: Christina Baker Kline has released a young reader’s version of Orphan Train. Orphan Train Girl tells the story of a young foster girl who forms an unlikely bond with a ninety-one-year-old woman, who had been an “orphan train” rider as a young girl. Adapted and condensed for a young audience, it includes an author’s note and archival photos from the orphan train era. It’s written for ages 8-12, or grades 3-7.
She Left Me the Gun: My Mother’s Life Before Me
Annie’s Ghosts: A Journey into a Family Secret
The Journey Takers
Running Away to Home: Our Family’s Journey to Croatia in Search of Who We Are, Where We Came From, and What Really Matters
The Homesman: A Novel
Angle of Repose
