Top 10 Archival Storage Solutions for Family Heirlooms

Top 10 Archival Storage Solutions

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Family historians often end up with family heirlooms and documents that need archival storage. 
 
In addition to the items you already have, you may find yourself receiving things from other relatives like family bibles, scrapbooks, and military uniforms.
 
The task of correctly archiving the family history can definitely get a bit overwhelming. However, with the right tools and supplies you can make a real difference in preserving your family’s treasures for future generations.
 
Denise May Levenick is the author of The Family Curator blog and writer for Family Tree Magazine and she joins me in episode 81 to share her top ten archival storage solutions for family historians.

Short on time? This week’s video is just 20 minutes and packed with the archival solutions you need. The video premieres on Thursday and features a live chat. 

Watch the live premiere of this week’s video and participate in live chat with our Genealogy Gems YouTube channel subscriber family. (Subscribing to our channel is free. Click the red Subscribe button on the video page on our channel.)

Thursday, December 9, 2021 at 11:00 am CT 
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Length: 24 minutes

Three ways to watch the show:

1. Video Player (Live) – Watch the video premiere at the appointed time in the video player above.
2. On YouTube (Live) – Click the Watch on YouTube button to watch live at the appointed time at the Genealogy Gems YouTube channel. Log into YouTube with your free Google account to participate in the live chat. 
3. Video Player above (Replay) – Available immediately after the live premiere and chat. 

Episode 81 Show Notes 

Download the ad-free show notes It includes a special supply checklist that can be printed out as a single page. (Premium Member log in required. Not a Premium Member? Become a Genealogy Gems Premium Member.)

(Please note: This interview transcription has been minimally altered for ease of reading and clarity.)

Lisa: I’d love to talk about the archival supplies we need. Because obviously, to complete a task and do a good job of it, we got to have the right tools. That’s certainly true when it comes to archiving.  You’ve got 10 of your top tools that I know that you’ve used as an archivist. What is number one?

1. Archival File Folders

Denise: The first thing has to be archival file folders. They are not terribly expensive. And really, what you want to do is put your item, whatever it is, in the highest quality folder or box or something to protect it right away. But since most of us have pictures and paper, a file folder really is a good place to start.

Denise recommends these archival file folders.

Lisa: That sounds great because often other family members are giving us things, and we may not have time to deal with it right then and there. It sounds like this would be a very safe place to put it.

Denise: It is. You can purchase them in a box of 50 or 100. If you have a lot of items or just 10 or a dozen folders, it really can scale to suit whatever the size of your archives might be.

We really do need to take that extra step and seek out acid-free, lignin-free archival file folders. The kind you buy at the office supply store are just not the quality you need to preserve your papers and your photos. You can actually cause more damage if you put things in those.

Lisa: Because there’s probably acids in those, right?

Denise: Right, because the regular office supply ones, particularly the kind that are just for regular office use, they have so much acid in them that they can cause your item to deteriorate even more.

Lisa: Okay, so number two I see here is flip-top document case. This sounds like a specialty item. What are we talking about?

2. Flip-Top Document Case

These boxes are so confusing when you’re shopping. The names of these document cases and boxes can be confusing. The one I use looks like a mini file folder box. That’s exactly what it is. Examples of the kinds of things you can store in them include old rolled up documents, military photos, and banquet photos. I have a process to flatten these, but meanwhile I needed to store them.

You can reuse this kind of a box for anything. It doesn’t have to just be file folders. But because it’s designed for file folders, it’s really perfect. It’s even got a little tag to pull it out on the shelf if you need to pull it out. There’s a place to add a label.

It’s about five inches wide. I like this size because when you get those file folders in there, it gets heavy and a lot of people store these up on shelves. They can be heavy to move down. I bought some real wide ones that are seven or eight inches. And man, those things are heavy! So, I recommend smaller ones.

Lisa: I have some items that are definitely odd sizes, or like you said they were originally rolled up and I haven’t flattened them out and decided what to do with them yet. So, this sounds great.

Recommended flip-top document case

The third item on your list is oversized document or photo box. So, it sounds similar. We often have larger items we’re struggling with, and we don’t want to fold it up.

3. Oversized Document or Photo Box

Denise: No, in fact, you want to unfold the item, and let those folds relax.

The archival suppliers make a box that is large, larger than a shirt box. So it might hold a fully open newspaper. Or they work well for portraits or drawings or maps. They’re typically quite shallow. They won’t be necessarily a clamshell kind of opening like the boxes we just mentioned. It might be a lift off top. But you can use it for anything. And the reason it is shallow is you don’t want to put a lot of weight on the things that are on the bottom.

If you can afford it, buy large file folders that will protect your item, and then you put it in the box.

You should keep things like newspapers separate. You do not want to store newspapers with anything else other than newspapers because they’re so toxic. The newsprint is just full of acid. You want that isolated from everything else.

4. Newspaper Preservation Kit

Lisa: So that must be why number four is the newspaper preservation kit. I didn’t realize that there was one.

Denise: Yes, newsprint is a big offender.

When I visited the New England historic genealogical library in Boston, and I got a tour of their upstairs archives. It was so exciting. I felt like I was you know, in the inner sanctum. I was shown rows and rows of archival boxes. And then just stacks of items people have donated like Bibles and books and family papers. They all had to be processed and organized. The archivists there told me they will not accept donations of newspapers. Because they are so toxic, anything they touch will turn brown. And it just degrades everything around it. So ,you want to be sure to isolate your newspapers if you’re going to keep them.

What they do at the library is photocopy the newspaper onto acid free paper. Or they scan it and then print a copy on acid free paper and get rid of the newsprint.

Lisa: That sounds like a really clever way to deal with that problem. So even if grandma gives you her newspapers, and she’s also got other stuff with it, you don’t want to keep it that way. You need to separate it out.

Denise: If you really want to keep like an obituary because it’s an original paper or something, that would be a good case for encapsulating in between two sheets of archival plastic. You can encapsulate it and then you can put it right back in that Bible because it’s isolated.

Denise recommends using this Newspaper Preservation Kit

Lisa: Alright, so next we have acid free tissue paper. What would you be using this for?

5. Acid Free Tissue Paper

Denise: I love this stuff! I keep a stack of it here at home.

One time my dad gave me a stereograph, you know the thing you hold up and there’s double pictures. He gave me one of those. It was my grandfather’s. It was in of all things an envelopes box. A crummy, terrible box. And it was wrapped in red tissue paper! Have you ever like gotten a drop of water on red tissue paper? It bleeds terribly!

In the box along with the stereo cards were photo cards. And, being my dad, (he’s very strict) it’s “my way or the highway.” So, I couldn’t really tell him anything.

I took the box and he said he wanted it right back. I had some acid free tissue paper, so I just took the red tissue paper out, and cushioned everything in that dumb non-archival box with the acid free tissue paper. I took some pictures of it and looked at the cards, and then I gave it back to him. It was in a lot better shape! So, if you have acid free tissue paper, you are golden when stuff like that happens.

You can also use it to stuff the sleeves of a military uniform or wedding dress. You can wrap a pair of baby shoes in it. You can use it between layers of photographs. It’s just really helpful to have on hand.

Denise recommends getting loads of this acid free tissue paper.

Lisa: It sounds like we definitely need a stack of it on hand at all times.

6. Acid Free Flip top Photo and Print Box

Lisa: So now we are onto number 6 and another box designed for an unique purpose.

Denise: These boxes are designed in different sizes and colors. It doesn’t matter what color they are. They’re made out of a heavier board. And actually, this little box will protect your contents against even mild changes in temperature and humidity. It’s a really good protection.

I use one that is five inches by seven inches. It’s designed to hold five by seven photos on edge. Putting them on their edge ensures that there isn’t pressure placed on them by the weight of things on top. These come in all sizes. You can get big ones that are more like a shoe box.

If you have a lot of photos, you can get dividers to use in the box. But this would also be fine. You could even use some acid free tissue and put a pair of baby shoes in there.

Lisa: Oh, yeah, absolutely.

Denise: The thing I like about these boxes is you can write on them, or you can add a label.

I cleaned out my parents homes after they died, if I came across a box like this, this says to me, “oh, there’s something special in there.”

Lisa: Yes. I totally agree with that! As I’m putting stuff together in my office, I’m thinking when I’m gone, I want something that signals to people “Keep this! Don’t toss this! This is important!” You’re kind of dressing it up and letting them give them a signal that this has been already taken care of so it needs to continue to be taken care of.

7. Archival Quality Albums

Well, number seven is archival albums. This one resonates with everybody. I mean, is there anybody who doesn’t have magnetic photo albums from 1970s, where we just struggled with things sticking and you can’t take it apart? I imagine an archival quality album would really help us with photos, negatives, letters and anything flat.

Denise: Right! The albums are designated archival quality. You want to look for a binder that is archival, as well as the inside pages. If you want to scrapbook, then you just want the paper and you would probably use photo corners. You could then write with an archival pen.

Something to be careful about is when you put a binder together. You might want to put it on a bookshelf, which is fine, but the dust can still get in from the top. Light and dust are the real enemy of things that you’re trying to preserve. So, buy a slipcover or keep them in your closet. That’s really the best place for these things because they’re protected from the light and the temperature that way.

Lisa: Good point. So, you’re saying that if you want them in your living room where people can pull them off the shelf and look at them, you will want to lay something over the top of the albums so that dust isn’t settling inside.

Denise: Yes. You know how the top of your books can get dusty!

Here’s a great selection of archival quality albums.

Lisa: Exactly. I hadn’t thought about that with my photo albums. That’s a really good point.

Sometimes we have still have negatives. I know my husband inherited a lot of negatives from his side of the family. And, you know, we may or may not be ready to make prints out of all of them as soon as we get them, but we want to keep them What do you recommend for that?

8. Negative Preserver

You can use a box that is designed for negatives. It’s shorter.

Typically the 35mm negatives came in a little plastic sleeve, and that is good to use. A lot of times you can get archival supplies at a camera store. They use good quality, and I think they have something called a print file available.

Another option for negatives is binder sleeves. They’re a full page and they have little slots to put the negatives in, and then you put them in a binder that has sort of a clamshell closing. I have several of those and they work pretty well. They protect the edges of the negatives.

Lisa: Excellent!

9. Archival Slide and Media Boxes

Number 9 takes us into even more kinds of media with Archival Slide and Media Boxes. I know when I got all my VHS tapes digitized, I couldn’t bring myself to throw them away. So you’re saying that if we want to keep different forms and media, there are special boxes for that too?

Denise: Right. There are boxes that are acid free, like the ones I showed you that are sized for media and slides. You can get metal slide boxes that are pretty nice. I would avoid wooden ones. I have a few of those we inherited. But even metal ones I found at the thrift shops. People got rid of their old slide boxes.

The Kodak slide boxes that they came in aren’t bad. Slide carousels just take up a lot of space. Remember those carousels? But you can get them and they make boxes for all kinds of things. You don’t have to only use a box that is labeled a slide storage box. You can put it in something that fits.

Lisa: Good to know.

Denise: They also make them uniquely for the different types of films.

Lisa: Yes, I think I’ve got some home movie on every type of media ever created over the decades which is a good problem to have, but it’s a challenge.

Here’s a great archival quality video cassette tape box.

10. Archive Blue E-Flute Quilt Preservation Kit

Number 10 reminds me of when you and I first met gosh, probably a dozen years ago at least. And I remember talking to you about quilts. One of your specialties is really your knowledge of dealing with textiles. So often we’re thinking photos and paper but if we’re fortunate we might have a uniform, tablecloth, quilt or other textile. Tell us what this kit can do for us.

Denise: I love these! The archival boxes that I showed earlier are wonderful, but they’re heavy. Just the box itself. Imagine you have a full size bed quilt. You need a big box which is expensive and heavy.

The E flute is a kind of plastic. You’ve probably seen it used as packing material. It’s got little ridges. And it’s kind of translucent plastic stuff. That’s the best description I can think of, but it’s very lightweight. You can order one of these boxes, it comes folded or flat and you kind of assemble it. There are other types too.

archival quilt storage solution box

Archival quilt storage solution box

I bought one for my quilts. The only trick is because the E Flute is translucent, it won’t keep the light out. I have a beautiful old velvet album quilt, and I have folded that inside a sheet and put that whole thing in the E flute box, and then stored it in a dark.  I have a little archive space where I keep that kind of thing.

They make them different sizes and in kits. I really do recommend them.

Denise recommendation: Quilt Preservation Kit

Lisa: Well, that’s the next thing on my list. I have my husband’s father’s military uniform. Part of what was holding me back in storing it was getting the right kind of box. I was thinking it was going to be one of these really heavy big boxes. So, this sounds like a really nice alternative.

Denise, you’ve given us 10 fantastic archival heirloom solutions. It’s wonderful to hear that they’re available in such a wide variety. Thank you so much, my friend. It’s wonderful to see you and I really appreciate your sharing your knowledge with us.

Denise: Thank you. It’s been nice to talk with you again, Lisa. And hope to see you again sometime soon.

Lisa: Me too!

Resources

Season Four

The Genealogy Gems Podcast Episodes
2009 Season Four

Scroll to the bottom of each Podcast Show Notes Page and click the episode mp3 file to download the episode for listening.  It will take a minute or two for the episode to download, and it will open in your computer’s audio program (for example: Quicktime or Windows Media Player.)

Episode 61 Listen & Show Notes
A sneak peek at the new website GenSeek with Steve Nickle, President of Familylink.com.  And Part 2 of Lisa’s interview with Darby Hinton where they discuss the Hinton Family History.

Episode 62  Listen & Show Notes
Go Genealogical Channel Surfing:  Part 3 of Lisa’s interview with Darby Hinton about his new TV pilot Hintons Living History.  Hang Ten with Ken Marks, executive producer of the new TV series Legend Seekers.

Episode 63 Listen & Show Notes
Lisa conducts an exclusive interview with Dr. Tukufu Zuberi, star of the hit TV series The History Detectives.

Episode 64  Listen & Show Notes
New Online Newspaper Databases, An answer to a listener’s Family Tree Maker software question, A Gem of an Idea: Online Downloadable Source Citations, Interview with Maureen Taylor, and the History of Casey Jones

Episode 65  Listen & Show Notes
Interview with George Morgan, Mother’s Day, Odometer History

Episode 66  Listen & Show Notes
An Important Anniversary:  D-Day, Upcoming Genealogy Conferences, Genealogy Records Update, Interview with Kathy Meade of Genline.com about new features at the Swedish records website, and Paper of Record at the Google News Archive.

Episode 67  Listen & Show Notes
Jamboree Highlights, News, Interview with Genealogy Blogger Randy Seaver of the Genea-Musings blog

Episode 68  Listen & Show Notes
GenealogyWise, Lisa on the Genealogy Guys Pocast, Paper of Record Update, Interview with Genealogy Blogger Thomas MacEntee, 40th Anniversary of Apollo 11, A Special Collection at the DAR Library, Lisa to Teach Family Tree Magazine Webinar

Episode 69  Listen & Show Notes
The First U.S. Census, Interview with author and genealogist Tony Burroughs, “My Mother Was a Quilter” by Lee Drew,

Episode 70 Listen & Show Notes
Resources for understanding the U.S. Federal Census, Member Connect Tour with David Graham from Ancestry.

Episode 71 Listen & Show Notes
The new Genealogy Gem rhinestone pin, The Mailbox, Member Connect with Ancestry, Part 2, Family History Thoughts with Lee Drew “Choices & Consequences,”

Episode 72  Listen & Show Notes
Civil War Records, The Mailbox, Probate Records with Jana Broglin, Sorting Your Bookmarks Alphabetically in Safari,

Episode 73 Listen & Show Notes
It’s All About You and Genealogy!  New Digitized Newspapers, Premium Episodes.

Episode 73 Video Cast  Show Notes
Genealogy News Segment

Episode 74 Listen & Show Notes
An Amazing Story Featuring the DeadFred Web Site (Interview with Joe Bott)

Episode 75 Listen & Show Notes
The New Free Genealogy Gems Toolbar, The Mailbox, Interview with David Rencher, Head Genealogist at FamilySearch About the Digitization of Records and the Future of FamilySearch.

Episode 76 Listen & Show Notes
News, Mailbox, The 1810 Census, Part 2 of Lisa’s Interview with David Rencher Head Genealogist at FamilySearch.org, the Free Genealogy Gems Toolbar.

Episode 77 Listen & Show Notes
News, Mailbox, Interview with Maureen Taylor “The Photo Detective” about ancestral hairstyles, Family Storytelling During the Holidays.

Episode 78 Listen & Show Notes
News, Mailbox, the New Genealogy Gems Podcast App for iPhone and iTouch, Adoption research, 45 History, and a video of Mona Golabek and the inspiring story of her family.

Episode 79 Listen & Show Notes
This episode is a broadcast of the LIVE Genealogy Gems Podcast presented at the Family History Expo in Mesa, Arizona on January 22, 2010 featuring guests Gena Philibert Ortega, Thomas MacEntee, Bruce Buzbee and Anastasia Tyler.

Episode 80 Listen & Show Notes
Lisa’s special guest is Irene Johnson (you know her from the PBS TV series Ancestors).  She worked at the Family History Library in Salt Lake City for 15 years and gives us her best tips and tricks.

Genealogy Research Techniques for Finding Your Free People of Color

Not all people of color were enslaved prior to the emancipation. In fact, many were freed long before that. Researching free people of color can be quite complex. Tracing my own family line (who were free people of color) continues to be a real learning process for me. However, don’t let the challenges deter you from exploring this rich part of your heritage. In this “Getting Started” post, we discuss the manumission process, “negro registers,” and more for tracing your free people of color.

Who are Free People of Color?

[Note: Throughout our post, we will be using terminology that was used at the time the records were created.] A ‘free negro’ or ‘free black’ was a fairly recent status in the U.S. which differentiated between an African-American person who was free and those who were enslaved prior to emancipation. If a person was referred to as a ‘free negro’ or ‘free black’, that meant the person was not living in slavery. It is a fascinating and little know fact that, as Ancestry Wiki states, “one in ten African-Americans was already free when the first shots were fired on Fort Sumter.”

Step 1 for Tracing Free People of Color: Censuses

Sometimes, the story of your ancestors being free people of color was passed on through oral traditions. In my own family, our “line of color” was not talked about. Instead, my first clue was when I found my ancestor in the 1840 population census listed as free. I also found that one woman (presumably his wife) was marked in the column for “free white persons,” but John and the children were marked as “free colored persons” in this census. This was the first step to identifying my ancestor as a free person of color.

Let’s see another example. The 1850 and 1860 U.S. Federal Censuses included two population schedules. One enumerated free inhabitants, and the additional schedule, referred to as a Slave Schedule, was for making an enumeration of those persons who were enslaved. [We will discuss this further, below.]

If your ancestor appears on the 1850 U.S. Federal Census for free inhabitants, they are considered free, even if their race was listed as “Black.” An example of a Black man enumerated on the 1850 census is shown in the image below. Archibald Giles is recorded as “Black,” but appears on this census for “free inhabitants.” Therefore, he would be considered a free person of color.

If your targeted ancestor does not appear on either the 1850 or 1860 population schedule for free inhabitants, they might have been enumerated on the slave schedules of 1850 or 1860.

freepeopleofcolor_4

1850 Slave Schedule for Henry County, Tennessee. Snapshot via Ancestry.com.

You can check the 1850 Slave Schedule and the 1860 Slave Schedules at Ancestry.com. The 1850 census is also available at Findmypast, MyHeritage, and FamilySearch.

In this example to the left, you will see a portion of the Henry County, Tennessee Slave Schedule for 1850. Notice, only the heads of household or the “owners” were listed by name. Slaves were not named, but rather listed by age and sex under the names of their “owners.”

Step 2: The Manumission Process

Once you have identified that you have free people of color in your family tree, the next step is to determine how they became free. Many free people of color came from families that had been free for generations. This could have been due to a manumission of an ancestor or a relationship between an indentured white woman and a black slave. I make mention of this relationship between races because it is helpful to remember that the status (whether free or enslaved) of the child was based on the status of their mother. If the mother was free, then the child was free. If she was a slave, then the child was enslaved. [1]

Manumission was a formal way in which slaves were set free. There are many reasons why a slave owner may have released or freed his slaves. In some cases, slave owners would free their mistresses and children born to her. In one case, I found the following comment made by the slave owner,  “I give my slaves their freedom, to which my conscience tells me they are justly entitled. It has a long time been a matter of the deepest regret to me…” And thirdly, it was possible for a slave to obtain their manumission through the act of “self-purchase.”

If the mother was free, then the child was free. If she was a slave, then the child was enslaved. [1]

Private manumission through probate. A private manumission decree could be made in a last will and testament. You can find these manumissions in wills, estate papers, or in probate packets. Many of these county level probate records have been microfilmed or digitized and are easily accessible online.

Sometimes, a manumission in a will would be contested. When this happened, a long paper trail of court documents may have been created. A thorough search of all of these proceedings may offer a wealth of genealogical data and clues.

Usually, manumission papers included the name of the slave owner, the name of the slave, and the reason for manumission. In the case of the slaves of John Randolph of Roanoke [Virginia,] his slaves were not named individually in his will written on 4 May 1819. Instead he stated, “I give my slaves their freedom, to which my conscience tells me they are justly entitled. It has a long time been a matter of the deepest regret to me, that the circumstances under which I inherited them, and the obstacles thrown in the way by the laws of the land, have prevented my manumitting them in my lifetime, which is my full intention to do, in case I can accomplish it.”[2]

John freed over five hundred slaves, and though each of them was not listed by name in his will, a codicil at the end of the will did name two of his slaves when he asked that Essex and his wife Hetty “be made quite comfortable.”[3]

freepeopleofcolor_1

Record of Arthur Lee purchasing his freedom.

Manumission through self purchase. Self-purchase may seem impossible; however, many slaves were not required to work on Sundays for their masters.[4] On this day, men and women could hire themselves out to do work for others. With frugality, they could save their earnings to buy their freedom or the freedom of their loved ones, though this was very, very difficult.

As you can see in this example of Arthur Lee, he was able to pay for his freedom and the freedom of his wife, though it took many years. This type of record could be found in a published book, a record listed in notarial books of the county, civil minutes books, or other courthouse holdings. It is important to speak with a knowledgeable person in your targeted area about where you should look. A knowledgeable person may be those working with the local historical or genealogical society, or a head of the local history department of the public library.

Step 3: “Negro Registers”

If you do not find the manumission in a last will and testament, perhaps due to a courthouse fire or other loss, you may have luck searching the county records where your free people of color later settled. Free people of color were often required to register, using their freedom papers, when they relocated to a new area. These types of records are called ‘negro registers’ or ‘records of free negros.’

Newly freed people carried with them their freedom papers which were given to them when they were manumitted. Once they relocated, they would register with the county clerk. They would need to show the county clerk these freedom papers and a record was made in the register. The record may include the name of members of the family, ages, and most recent place of residence.

The book titled Registers of Blacks in the Miami Valley: A Name Abstract, 1804-1857 by Stephen Haller and Robert Smith, Jr. provides the following information about registers of freed people:

“From 1804 to 1857, black people in Ohio had to register their freedom papers with the clerk of courts of common pleas in the county where they desired residency or employment. State law required this registration, and clerks of court were to keep register books containing a transcript of each freedom certificate or other written proof of freedom (see Laws of Ohio 1804, page 63-66; 1833, page 22; 1857, page 186). Few of these registers have survived to the 20th century.”[2]

Though this author says that only a few of the registers have survived, I found some microfilmed registers listing the names of free people of color who had settled in Miami County, Ohio at the local historical society archives. Again, it is important to ask those people who would be most knowledgeable, and in this case, it was the historical society.

In conclusion, we understand that tracing both our enslaved and manumitted ancestors is often a difficult task. We also know there is much more to learn and share for the best techniques to researching these lines. We encourage you to review some of the additional sources below. Please let us know what other resources have been most helpful to you in researching your free people of color in the comments section below. We want to hear from you!

Source Citations

[1] Kenyatta D. Berry, “Researching Free People of Color,” article online, PBS, Genealogy Roadshow,  accessed 1 Dec 2016.

[2] Lemuel Sawyer, A Biography of John Randolph with a Selection From His Speeches, New York: 1844, page 108, online book, Google Books, accessed 20 Dec 2015.

[3] Ibid.

[4] History Detectives Season 8, Episode 10, PBS, online video, originally aired 29 Aug 2010, accessed 1 Dec 2016.

Additional Reading

Free at Last: Slavery in Pittsburgh,” article and database online, University of Pittsburgh.
John Randolph,” article online, Ohio History Central.
Lemuel Sawyer, A Biography of John Randolph with a Selection From His Speeches, New York: 1844, book online, Google Books.

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